ISSUE 02 — THE PEOPLE
THE TEAM
THE MINDS BEHIND THE FRAME
01 / TEAM
A small, fiercely committed crew of directors, editors, and colorists who've spent careers learning what to leave out of a frame. No departments, no hand-offs — the same eyes follow a project from script to final grade.
MARA VOSS
Mara founded Cinevision Studio after a decade cutting trailers for A24 and Neon, tired of watching other people's visions from the edit bay. She directs every project personally, from the first location scout to the final color pass, and insists the studio stay small enough that no idea gets diluted by committee. Her work favors long lenses, natural light, and silence over score. She still storyboards everything by hand, on paper, before a single frame is shot.
FOUNDER & DIRECTOR
MARA VOSS
Mara founded Cinevision Studio after a decade cutting trailers for A24 and Neon, tired of watching other people's visions from the edit bay. She directs every project personally, from the first location scout to the final color pass, and insists the studio stay small enough that no idea gets diluted by committee. Her work favors long lenses, natural light, and silence over score. She still storyboards everything by hand, on paper, before a single frame is shot.
FOUNDER & DIRECTOR
MARA VOSS
Mara founded Cinevision Studio after a decade cutting trailers for A24 and Neon, tired of watching other people's visions from the edit bay. She directs every project personally, from the first location scout to the final color pass, and insists the studio stay small enough that no idea gets diluted by committee. Her work favors long lenses, natural light, and silence over score. She still storyboards everything by hand, on paper, before a single frame is shot.
FOUNDER & DIRECTOR
MARA VOSS
Mara founded Cinevision Studio after a decade cutting trailers for A24 and Neon, tired of watching other people's visions from the edit bay. She directs every project personally, from the first location scout to the final color pass, and insists the studio stay small enough that no idea gets diluted by committee. Her work favors long lenses, natural light, and silence over score. She still storyboards everything by hand, on paper, before a single frame is shot.
FOUNDER & DIRECTOR
MARA VOSS
Mara founded Cinevision Studio after a decade cutting trailers for A24 and Neon, tired of watching other people's visions from the edit bay. She directs every project personally, from the first location scout to the final color pass, and insists the studio stay small enough that no idea gets diluted by committee. Her work favors long lenses, natural light, and silence over score. She still storyboards everything by hand, on paper, before a single frame is shot.
FOUNDER & DIRECTOR
MARA VOSS
Mara founded Cinevision Studio after a decade cutting trailers for A24 and Neon, tired of watching other people's visions from the edit bay. She directs every project personally, from the first location scout to the final color pass, and insists the studio stay small enough that no idea gets diluted by committee. Her work favors long lenses, natural light, and silence over score. She still storyboards everything by hand, on paper, before a single frame is shot.
FOUNDER & DIRECTOR
We don't hire departments. We hire people who can hold a whole story in their head — and know exactly which frame it lives in.